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Now our delight is in flying a kite: grandpapa has never seen this sight, and he is enraptured with it." The pastime, in itself, is nothing; it is resorted to according to opportunity or the taste of the hour,-now taken up and now let alone,-and the abbé soon writes: "I do not speak about our races, because we race no more; nor of our readings, because we do not read; nor of our promenades, because we do not go out. If the reader would revive for himself this vanished world, let him seek for it in those works that have preserved its externals or its accent; and first in the pictures and engravings of Watteau, Fragonard, and the Saint-Aubins, and then in the novels and dramas of Voltaire and Marivaux, and even in Collé and Crébillon fils: then do we see the breathing figures and hear their voices. Behold Madame de Lauzun, at first blushing and in a tremor, soon with intrepid courage, breaking the eggs, beating them up in the pan, turning them over, now to the right, now to the left, now up and now down, with unexampled precision and success! They lecture old Madame du Deffand, who is too lively, and whom they style the "little girl"; the young duchess, tender and sensible, is "her grandmama." As for "grandpapa," M. de Choiseul, "a slight cold keeping him in bed, what is billiards he has fairy stories read to him all day long: a species of reading to which we are all given; we find them as probable as modern history.

At Chanteloup, the Duc de Choiseul, in disgrace, finds the fashionable world flocking to see him; nothing is done, and yet no hours of the day are unoccupied. This change doesn’t affect the VenBilliards WPA Women’s World 10-Ball Championship, which will still be played in Venezuela in October 2024. 48 top female players will compete for a $175,000 total prize fund. The only apparent answer is the assumption of some version of the Principle of the Uniformity of Nature (PUN), the doctrine that nature is always uniform, so unobserved instances of phenomena will resemble the observed. The other role is to answer the skeptical challenges raised by the "traditional interpretation" of the Problem of Induction. The second of Hume’s influential causal arguments is known as the problem of induction, a skeptical argument that utilizes Hume’s insights about experience limiting our causal knowledge to constant conjunction. Psillos 2002: 31) However, Peter Millican rightly points out that the Problem can still be construed so as to challenge most non-reductive causal theories as well. The next few months passed away, as many years can pass away, without definite events, and yet, if suddenly disturbed, it would be seen that such months or years had a character unlike others.

The three months which had passed had brought them to the beginning of March. Yesterday morning, an hour forever memorable in the history of eggs, the implements necessary for this great operation were all brought out,-a heater, some gravy, some pepper, salt, and eggs. The gentlemen are expected to provide the materials for the work: the Duc de Lauzun, accordingly, gives to Madame de V-- a harp of natural size, covered with gold thread; an enormous golden fleece, brought as a present from the Comte de Lowenthal, and which cost two or three thousand francs, brings, picked to pieces, five or six hundred francs. The billiard table consists of a flat playing surface with six pockets. Time goes so fast I always fancy that I arrived only the evening before." Sometimes they get up a little race, and the ladies are disposed to take part in it, "for they are all very spry and able to run around the drawing-room five or six times every day." But they prefer indoors to the open air; in these days true sunshine consists of candle-light, and the finest sky is a painted ceiling,-is there any other less subject to inclemencies, or better adapted to conversation and merriment?

Scarcely a man can be found without some drawing-room accomplishment, some trifling way of keeping his mind and hands busy, and of filling up the vacant hour: almost all make rhymes, or act in private theatricals; many of them are musicians and painters of still-life subjects. Madame Adelaide learns watchmaking, and plays on all instruments from a horn to the jew’s-harp; not very well, it is true, but as well as a queen can sing, whose fine voice is never more than half in tune. M. de Francueil is a good violinist, and makes violins himself; and besides this he is "watchmaker, architect, turner, painter, locksmith, decorator, cook, poet, music-composer, and he embroiders remarkably well." In this general state of inactivity it is essential "to know how to be pleasantly occupied in behalf of others as well as in one’s own behalf." Madame de Pompadour is a musician, an actress, a painter, and an engraver.